Lin May Saeed

Lin May Saeed (b. 1973, Berlin, Germany; d. 2023, Berlin, Germany).

Lin May Saeed made sculptures, sculptural reliefs, drawings, works on paper and video. Known to use non-traditional materials, such as and especially styrofoam, Saeed’s work is directly linked to and thematically informed by her interest in animals and her commitment to animal activism. Her work deals with the exploitation of animals, their depiction, liberation, and potentially harmonious relationship with human beings, and the self-seeking meanness of the latter. Saeed’s iconographic frame of reference is rich and varied. It includes Egyptian statuary, Greco-Roman sculpture, and scientific and natural history museum displays, among other things. She was a sculptor in the truest sense of the term. By which is meant that her work critically interrogates what a sculpture can be, both materially and conceptually, and how it relates to three-dimensional representations of orders of knowledge. Generally eschewing noble materials, such as marble and wood, she was drawn to styrofoam precisely because it is an essentially ugly and difficult material, which she seeks to aesthetically redeem, despite and because of its essentially ruinous use of and impact upon nature. Generally speaking, the work becomes especially relevant in our post-enlightenment, anthropocene paradigm, where the relationship between the so-called natural world and humanity is being radically re-evaluated. Apparently naïve and enchanting, her colorful representations of animal life are nevertheless suffused with a scientific understanding of her subject and aim for an identifiable likeness. Her's is a sculpture in which there is virtually no gap between her political convictions and the formal and conceptual considerations of her medium.

Current solo exhibition includes Thinking Like a Mountain, GAMeC, Bergamo, 2024. 

Current group exhibitions include Balancing Conflicts, Manifesta 15, Barcelona, ES; Für Alle! Demokratie neu gestalten, Bundeskunsthalle, Bonn, DE; and Actual Fractals, Act II, Sculpture Milwaukee, Milwaukee, WI.

Recent solo exhibitions include The Snow Falls Slowly in Paradise, Georg Klobe Museum, Berlin, 2023; Lin May Saeed: Lin May Saeed in Dialogue with Renée Sintenis, Georg Kolbe Museum, Berlin, 2023; Lin May Saeed, sipgate shows, Düsseldorf, 2021; Rami, Galerie Jacky Strenz, Frankfurt, 2021; and Arrival of the Animals, The Clark Art Institute, Williamstown, 2020.

Recent group exhibitions include The Parliament of Marmots, Biennale Gherdëina, Urtijëi, 2024; Songs for the Changing Seasons, Vienna Climate Biennale, Wien, 2024; Der König ist tot, lang lebe die Königin, Museum Frieder Burda, Baden-Baden, 2023; Spark Birds, buitenplaats Kasteel Wijlre, Wijlre, 2023; Jochen Lempert and Lin May Saeed, Chris Sharp Gallery, Los Angeles, 2023; Hang don’t cut, Kraupa-Tuskany Zeidler, Berlin, 2023; Extase de l’abîme, Le Quai contemporary art space, Le Quai, 2022; We Belong To Each Other, Carlier Gebauer, Berlin, 2022; Eurasia - A Landscape of Mutability, Museum of Contemporary Art, Antwerp, 2021; Amsterdam Sculpture Biennale, ARTZUID 2021, Amsterdam, 2021; La Mer Imaginaire / Imaginary Sea, Fondation Carmignac, Hyéres, 2021; Espressioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, 2021; Crack Up - Crack Down, Ujazdowski Castle Centre for Contemporary Art, Warsaw, 2020; El oro de los tigres/the Gold of the Tigers, Air de Paris, Paris, 2020; and Winterfest, Aspen Art Museum, Aspen, 2020.